Speaking History to Power
In their book From Reliable Sources, authors
Howell and Prevenier argue that “historians do not discover a past as much as
they create it;” that history is not a record of the past, but rather the lens
through which past perspectives are interpreted, artifacts analyzed, and
judgment calls made about what to preserve (Howell and Prevenier 2001, 1). An
additional layer of complexity comes through the fact that no matter how close
we come to understanding what the author of a document intended to convey, we
can never fully understand the context in which they wrote, nor the biases that
influenced their writing. Just as historians decide which narratives to
consider, every historical document paints only the narrative of its authors,
and might be a fragment of a larger whole that would provide it with context
and meaning.
This question of context and selectivity is important
to consider when viewing National Geographic’s documentary Jerusalem, which
explores the history of what makes Jerusalem important to each of the three
Abrahamic religions. The documentary focuses primarily on the culture and religion
of each of the groups, leaving out details of the conflicts between them, and ends
on a positive note with the words “I hope one day we can have the courage to
meet the people who are living right next to us” (National Geographic 2013, 40:54).
While the narrative of the documentary inspires hope that a future
understanding between groups might be reached, it begs the following questions:
If the pieces of history considered are only those that fit the narrative of
cohesiveness and peace, can true cohesiveness or peace ever truly be achieved? Is
it okay to be selective about the pieces of history that one considers if the
objective is peace, even if it requires losing sight of the whole?
Howell, Prevenier, and the documentary seem to argue
for a better understanding – one between cultural/religious groups, and the
other of what history can provide – through consideration of multiple
perspectives, and through the encouragement of open mindedness. As Howell and
Prevenier point out, a complete understanding of the past can never be fully
reached, and the best we can do is to try to understand as many pieces of it as
possible – to consider narratives that might previously have been ignored, and
to recognize the limitations of what CAN be understood. Their words also serve
as a reminder that we should consider history not to be a recording of the
past, but rather a story of past perspectives, and a record of current belief
about what these artifacts and documents might mean. Taking this into account, it
seems that there is no black and white answer to the questions above. The best path
toward understanding is compromise: acknowledgment of all perspectives and aspects
of the past, including their limitations – both in what we can understand about
them, and in the hold they should have over the future.
https://www.youtube.com/watch?v=iLW6vO-7rFk
https://npr.brightspotcdn.com/dims4/default/c9ccb47/2147483647/strip/true/crop/315x165+0+36/resize/1200x630!/quality/90/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Flegacy%2Fsites%2Fwgvu%2Ffiles%2F201710%2FMuslim-and-Jew.jpg
ReplyDeleteReally nice blog post about the complexities of writing (creating) history and how that relates to the film specifically and the situation in Jerusalem and Israel/Palestine more broadly. I really like how you raise a number of questions while working through your perspective on the topic. Well done!
Suggestion: you might want to make your photos larger in future posts so they fit better on the computer screen; you should also include captions and citations for the photos directly beneath the photos (you have the url at the bottom, but it makes more sense directly below the photo).